Few things will generate such an emotional response as one’s opinion of Christmas music. It seems that when it’s played, how it’s played, and what is played are among the most contentious of issues when it comes to holiday musical fare. Everyone has their thoughts and favorites when it comes to Christmas songs and hymns.
It’s interesting to dig down a little into some of the songs and hymns that have become so well-loved and cherished over the years and hear a little bit about the stories behind them. How did they originate? How have they evolved? Who wrote them? Where do they come from?
It’s just that kind of background information Andrew Gant shares in “The Carols of Christmas.” Gant, a composer, choirmaster, church musician, university teacher, and writer, has done his homework in putting together a thorough (but not exhaustive) and enjoyable compilation with stories of some of these Christmas songs that many have come to know and love throughout the years.
From “O Come, O Come Emmanuel” to “O Holy Night” to “Away In a Manger” and even “Jingle Bells,” Gant shares information about these hymns and the journey that they have been on from origin and through their evolution to the songs that we know today. It’s interesting to read the background stories here. Some songs have evolved from ancient and pagan roots to eventually be connected to the Christian holiday. Other songs have questionable theology or history (did the baby Jesus really not cry and did three ships come sailing into Bethlehem?).
Gant uses images throughout the book to show some of the history in these songs. He also includes full versions of the songs for those whose musical inclinations would allow them to play the songs themselves. It’s a helpful tool to be reminded of what it is that you’ve been reading about throughout each chapter.
While it’s not necessary for one to be a musician to read this, it certainly helps. Some of the terms and phrases that Gant uses may go over the heads of those with little to no musical experience or training.
“The Carols of Christmas” is not exhaustive, and Gant admits that. While there are 21 songs covered in here, Gant mostly sticks to those that would be familiar to anyone who would open up a hymnal in a church. For the casual reader, musician, or hymn singer, I would be hard-pressed to believe that he hasn’t covered what would be expected. While there were no songs that were as surprising as Gant’s subtitle (“A celebration of the Surprising Stories Behind Your Favorite Holiday Songs”) might suggest, it was an entertaining read that I may very well refer to every year when I find myself singing these songs throughout the season once again.
(This review is based upon a copy of this book which was provided free of charge from Booklook Bloggers. These opinions are my own; I was not required to write a positive review, nor was I compensated for this review.)